Reviews: The Birth of Rhapsody in Blue
Karen Monson, Ovation (July 1987)
The MHS Review 394 Vol. 11 No. 16, 1987
Paul Whiteman's Historic Aeolian Hall Concert of 1924
Reconstructed & Conducted by Maurice Peress
with Piano Soloists Ivan Davis & Dick Hyman
Ah, the lessons to be learned from Maurice Peress' noble and exhaustive reconstruction of the Paul Whiteman concert given on Lincoln's Birthday (February 12), 1924. That was the afternoon when George Gershwin sat down at the piano to launch his Rhapsody in Blue and, as a commentator at the time wrote, "made a lady out of jazz." It was the first time a dance band had appeared on the stage of a prestigious concert hall, the old Aeolian Hall in the piano company's headquarters on ... then-respectable 42nd Street. Whiteman billed the event as "An Experiment in Modern Music" and enlisted support from such musical luminaries as Mary Garden, Amelita Galli-Curci, Jascha Heifetz, Fritz Kreisler, Sergei Rachmaninoff, and Leopold Stokowski.
That it was a wonderful concert, elegantly programmed, Peress proves with this recording, which is filled with spirit and color; you haven't heard a slide whistle until you've heard Dave Bargeron's sail through Whispering. And Rhapsody in Blue, performed here from the original parts and score, with Ivan Davis as piano soloist, sounds so right in this instrumentation that it puts what Peress calls the "Hollywood Bowl" (full symphonic) version to shame.
There are treasures of information in Peress' documentation for this album, but the conductor's remarks simply make the reader and listener want to know more. Peress and his musicians--and Whiteman and his musicians--had a marvelous time with this music. That's not to say that Yes, We Have No Bananas is quite on the order of Pomp and Circumstance. But here they coexist happily, side by side. Which raises the most pressing question that results from an evening of enjoying this reconstructed concert: Why can't we combine disparate types of music this imaginatively on concert programs today?
Paul Whiteman's Historic Aeolian Hall Concert of 1924
Reconstructed & Conducted by Maurice Peress
with Piano Soloists Ivan Davis & Dick Hyman
Ah, the lessons to be learned from Maurice Peress' noble and exhaustive reconstruction of the Paul Whiteman concert given on Lincoln's Birthday (February 12), 1924. That was the afternoon when George Gershwin sat down at the piano to launch his Rhapsody in Blue and, as a commentator at the time wrote, "made a lady out of jazz." It was the first time a dance band had appeared on the stage of a prestigious concert hall, the old Aeolian Hall in the piano company's headquarters on ... then-respectable 42nd Street. Whiteman billed the event as "An Experiment in Modern Music" and enlisted support from such musical luminaries as Mary Garden, Amelita Galli-Curci, Jascha Heifetz, Fritz Kreisler, Sergei Rachmaninoff, and Leopold Stokowski.
That it was a wonderful concert, elegantly programmed, Peress proves with this recording, which is filled with spirit and color; you haven't heard a slide whistle until you've heard Dave Bargeron's sail through Whispering. And Rhapsody in Blue, performed here from the original parts and score, with Ivan Davis as piano soloist, sounds so right in this instrumentation that it puts what Peress calls the "Hollywood Bowl" (full symphonic) version to shame.
There are treasures of information in Peress' documentation for this album, but the conductor's remarks simply make the reader and listener want to know more. Peress and his musicians--and Whiteman and his musicians--had a marvelous time with this music. That's not to say that Yes, We Have No Bananas is quite on the order of Pomp and Circumstance. But here they coexist happily, side by side. Which raises the most pressing question that results from an evening of enjoying this reconstructed concert: Why can't we combine disparate types of music this imaginatively on concert programs today?