The performances...are often extremely fine and sometimes revelatory. There is a tautness and discipline to the string-playing and a unanimity of woodwind ensemble and intonation that often eluded Dorati’s (and even, much later, Adám Fischer’s) Austro-Hungarians...the impression in symphony after symphony is of true engagement, with a pleasing elegance to phrasing and consideration for the character of the music from moment to moment. --Gramophone, 2019